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on sessions for both Blue Note and Riverside
relationships and art itself
This is The Doors' third studio album and FIRST #1 album
Cleopatra Records gave us creative freedom to make the record we wanted to make
Charles Mingus- Pre-Bird (Verve Acoustic Sounds Series) (Vinyl) Salt-N-Pepa on sessions for both BlueVinyl LP pressing. This 1960 session falls historically between the astounding late 1959 work Charles Mingus did for Columbia Records and his slimmed down pianoless quartet that made the classic Mingus at Antibes. Pre Bird and the Columbia material share some common elements, most obviously the large ensemble. Mingus devoted these sessions to his pre 1940s material and other works from the prebop era, and two of the best played works are from