Fred Moten and Stefano Harney: The Undercommons: Fugitive Planning & Black Study Institute of Contemporary Arts and its laying the groundwork

and its laying the groundwork for a continuing contribution to the evolution of contemporary art

‘I learned to see in my mother’s house

previously published in Vice magazine alongside a catwalk shot from a Chanel fashion show grabbed from The New York Times

Haunted Houses is about the past within the present

Fred Moten and Stefano Harney: The Undercommons: Fugitive Planning & Black Study Institute of Contemporary Arts and its laying the groundworkMinor Compositions, 2013, softcover, 166 pages, 14. 3 x 21. 6 cm In this series of essays Fred Moten and Stefano Harney draw on the theory and practice of the black radical tradition as it supports, inspires and extends contemporary social and political thought and aesthetic critique. Today the general wealth of social life finds itself confronted by mutations in the mechanisms of control, from the proliferation of capitalist logistics through