Dear God, the Parthenon is still broken - Yorgos Lanthimos nature ‘The Rural’ is part of

‘The Rural’ is part of the acclaimed ‘Documents of Contemporary Art‘ series of anthologies

scorched or badly burnt—the character set includes two lighters and some extra long safety matches

The second issue of Safelight Paper is dedicated to the Sun

The undead of contemporary painting

Dear God, the Parthenon is still broken - Yorgos Lanthimos nature ‘The Rural’ is part ofDear God, the Parthenon is still broken is a photographic vignette by Yorgos Lanthimos. Although created on the set of the film Poor Things in Budapest, the book inhabits a separate world, untethered from time and place. The photographs drift between black and white and colour, giving the impression of a waking dream between past and present, whilst multiple layers between reality and fiction are gradually revealed. The film was set in various late