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together with art critic Camiel van Winkel
developed together with the artists
connects us to the present and envisions a different
conversations with collectives
Michael Lorenzini: Every Pill I Took: 2000-2001 contemporary artist together with art critic CamielBlurring Books, 2022, softcover, 36 pages 21. 6x 27. 6 cm In our pill happy society there is a pill for everything. Corporate ealers, aka Big Pharma, have for decades put design thought into clever pill presses and multicolored gel caps to distinguish their products and attract buyers. So too, in the 1990s and 2000s when ecstasy swept the club and rave scenes, the branding of pills was essential to the marketing, a way for the user to identify a good
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